Parties, launches, festivals, the odd chaotic corporate away-day — covered with actual energy, and edited fast enough to still be relevant by the time you post it.
Events don't repeat themselves, so there's no reshoot if we miss it. The job is staying close to the actual energy of the room rather than a stiff, staged version of it — and turning the edit around while people still remember the night happened.
A rough call sheet for a typical evening job — yours will differ, but the shape holds.
Tell us what the event is, roughly how long, and where the content's going. We'll say honestly if half a day is actually enough.
On-site early, ambient and detail shots while the room is still clean, so the venue gets its moment before three hundred people fill it.
Moving with the event instead of stopping it every five minutes for "one more shot." Nobody's paying to watch someone find their settings mid-event.
Stills and a short recap edit, turned around while it's still worth posting rather than three weeks later when nobody cares.
A shareable gallery and edit with full usage rights — use it however you like, we're not precious about it.
Actual event coverage, not stock photography with the serial numbers filed off — motorsport days and national-day events Jack's genuinely shot.



Priced to the size of the event, not a flat rate that punishes small ones. It's one person and a camera bag, not a production company, and the invoice reflects that. Final number once we know the brief.
Running a uni society or charity event on basically no budget? Ask — we were a uni society two minutes ago too.
Same week, standard. If it's time-sensitive — press, a launch — say so and we'll move faster.
Yes, quoted to however many days you actually need covered — not a fixed package that doesn't fit.
Usually, yes — same team, same day, so the stills and the recap edit actually look like they belong together.
A 60–90 second highlight edit that captures the atmosphere, not just a slideshow with music slapped over it.